Stockholm Design Week: Ung Svensk Form/Young Swedish Design 2020. 4 February - 22 March. ANNAMIA LINDBLOM – I CAME, I SAW, I SEWED. This is a design proposal for a technical landscaping project, where I’ve used embroidery as a method of expressing various planting solutions. The aesthetic method shows more dimensions of landscape architecture and complements digital drawings.

Jury citation
An almost anti-digital project that encompasses the time it takes to embroider, in contrast with modern reality in the architecture sector where everything is done on computers. The embroidery creates other, more wondrous ways – it is allowed to be slow and thereby creates space for reflection.

ANNAMIA LINDBLOM – I CAME, I SAW, I SEWED. Young Swedish Design 2020 4 February - 22 March.jpg

Stockholm Design Week: Ung Svensk Form/Young Swedish Design 2020. 4 February - 22 March. ANNAMIA LINDBLOM – I CAME, I SAW, I SEWED. This is a design proposal for a technical landscaping project, where I’ve used embroidery as a method of expressing various planting solutions. The aesthetic method shows more dimensions of landscape architecture and complements digital drawings. Jury citation An almost anti-digital project that encompasses the time it takes to embroider, in contrast with modern reality in the architecture sector where everything is done on computers. The embroidery creates other, more wondrous ways – it is allowed to be slow and thereby creates space for reflection.
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